Me, Dorothy…and This Road to Oz
Me, Dorothy…and This Road to Oz is an unprecedented immersive trip down the yellow brick road with the Kansas City Ballet as the cast and crew prepare for the world premiere of “The Wizard of Oz.” Audiences will follow composers, choreographers, costume builders, set designers and dancers from first read through the final bow and beyond using multi-platform and multi-media storytelling that will engage and enthrall people of all ages.
Kansas City PBS will have unfettered access to show the process of creating a brand new ballet from a timeless classic, as well as to celebrate an iconic Kansas City arts organization commemorating 60 years of excellence. “The Wizard of Oz” runs from October 12 to 21, 2018. Then, see KCPT’s documentary at 8 p.m. Nov. 16 or watch it online.
Me, Dorothy…and This Road to Oz
Take an unprecedented immersive trip down the yellow brick road with Kansas City Ballet as the cast and crew prepared for the world premiere of “The Wizard of Oz” in this full documentary film.
Matthew Pierce | Becoming a Music Composer
Matthew Pierce moved to New York City to “find fame and fortune,” but he felt like there was something he was missing. Then he met a guitarist and began writing music. One tip the Kansas City Ballet’s music composer for “The Wizard of Oz” offers is to master an instrument, because it gives you the tools…
Trad A Burns | Becoming a Lighting Designer
“[I] fell in love with something I didn’t know I was going to like.” Trad A Burns, Lighting Designer for the Kansas City Ballet’s world premiere of “The Wizard of Oz,” thought he wanted to be an actor, but it was only after petitioning for a class in college that he found his calling. Now, he…
Michael Raiford | Becoming a Set Designer
“Just go out and find it and do it.” Michael Raiford, set designer for the Kansas City Ballet’s “The Wizard of Oz,” says he “fell” into the profession, but encourages other aspiring set designers to get their feet wet wherever they can. Every Tuesday and Thursday through Oct. 12, Flatland looks at the various people…
Devon Carney | Becoming an Artistic Director
As the Artistic Director for the Kansas City Ballet, Devon Carney knows the significant impact he can have on a ballet dancer’s career, which often is only 15 years or so. Along with that commitment to his dancers, he’s equally as committed to the audience experience, and ensuring their first visit isn’t their last. Every Tuesday and Thursday through…
Ramona Pansegrau | Becoming a Music Director
At the age of four, Ramona Pansegrau decided she was going to be a concert pianist. And that’s exactly what she did. Now, as the Music Director for the Kansas City Ballet’s world premiere of “The Wizard of Oz,” she stresses to other young musicians that loving what you do is the driving force behind success. Every Tuesday and…
Nicholas Mahon | Becoming a Puppet Designer
Growing up in rural Quebec, Nicholas Mahon learned about the arts by watching “Sesame Street.” The more he explored the arts, though, the more he was drawn to the art of puppets and the variety of mediums — drawing, mechanics, animation — that go into making a puppet. Now, as the puppet designer for The…
Liz Vandal | Becoming a Costume Designer
After making her first fashion drawing at 9 years old, Liz Vandal knew she’d become a costume designer. But she also knew it would take more than just innate talent to get her there. Now, as the the costume designer for The Kansas City Ballet’s world premiere of “The Wizard of Oz,” she gives her tips on how…
Septime Webre | Becoming a Choreographer
Septime Webre, artistic director of the Hong Kong Ballet and choreographer for the world premiere of the Kansas City Ballet’s “Wizard of Oz,” gives his top three suggestions for aspiring choreographers. Every Tuesday and Thursday through Oct. 12, Flatland looks at the various people and professions that go into creating “The Wizard of Oz.” Follow…
Me, Dorothy…and This Road to Oz | Coming Soon
“Me, Dorothy…and This Road to Oz” is an unprecedented immersive trip down the yellow brick road with the Kansas City Ballet as the cast and crew prepare for the world premiere of “The Wizard of Oz.” Audiences will follow composers, choreographers, costume builders, set designers and dancers from first read through the final bow and…